Wild World – Cat Stevens
Stray Cats – Stray Cat Strut
Wild World – Cat Stevens
Stray Cats – Stray Cat Strut
A live performance of It Doesn’t Matter, originally released on their 1972 debut album. The first Manassas album peaked at No. 4 on the Billboard chart, and was certified Gold (500k+ copies).
A good friend and colleague, Tommy Lewis, passed away yesterday at age 49. Tommy was guitarist and singer for Fuzzy Side Up. From years of working alongside Tommy, he earned my admiration and respect.
I played a lot of great sets with Tommy, him on guitar and me on bass. He pulled a lot of weight on stage, impressing audiences with his technical abilities, and through the raw energy he projected. As a guitarist and singer, Tommy was a true 'double-threat.' The tracks below, recorded at Vaders in 2004, attest to his abilities.
Drops Of Jupiter - Fuzzy Side Up Live at Vaders
The House Is Rockin' - Fuzzy Side Up Live at Vaders
This Is How You Remind Me - Fuzzy Side Up Live at Vaders
In 2017, Tommy recorded on two tracks for local singer-songwriter Bill Cabrera. Those tracks will be available soon.
South African jazz trumpeter Hugh Masekela, hailed as “the father of South African music,” passed away January 23rd at the age of 78.
Many in America first learned of Masekela when he joined Paul Simon’s Graceland tour. He also arranged music for the broadway play Safafina! He recorded more than 30 albums between 1963 and 2016.
His instrumental single Grazing in the Grass charted at number 1 in America in 1968. Here in Houston, Grazing in the Grass has been the theme for Randy Lemmon’s Saturday garden for years.
My favorite Hugh Masekela track, the title track from his 1989 album, Uptownship.
Performing Bring Him Back Home with Paul Simon at the African Concert
… Seems like only yesterday. The giants are leaving us one by one.
This song is a great example of 70s hard rock. Stylistically similar to Led Zeppelin, Deep Purple, Tull and the other blues-based hard rock bands of the time. This simple, uncharacteristically benign lyric is said to have been inspired by the Gandalf character from the Lord of the Rings books. Find this song in the KNUS 98.7 FM playlists on Spotify and Youtube.
KNUS Playlist on Youtube - Part 2:
KNUS Playlist on Youtube - Part 1:
(Skip the first video - don't shuffle.)
‘Music Appreciation’ is one of the tags I use here. I write ‘music-appreciation’ posts for a few different reasons. ‘Nothing else to do’ isn’t one of them.
I write these posts because I know from experience that exposure to music is the best predictor of whether any person, young or old, is going to stay when they come in for lessons on guitar, bass or piano. A person who loves music is more likely to stay on and do well than someone else with real aptitude, but no real love of music.
It’s not just that exposure is good, it’s that a lack of exposure is a problem. I’ve had this discussion with more than a dozen other teachers, and we all agree. But what to do about it? We don’t want to spend lesson time trying to get someone to take an interest in this or that song. It’s hard to impart a passion for music to someone else. Remember Blackboard Jungle? (“…Listen to that coronet.”)
Another reason for these posts is I believe that part of being a musician is knowing what’s good. I’ve know of many great players who don’t make great music, I believe, because they don’t really know what great music is.
I also think it’s important to know the history and literature in any area that you’re serious about studying. The history of rock, especially the history of ’60s and ’70s rock radio, is a little misunderstood. That’s important, because in the ’60s and ’70s, rock radio was the only place people learned about new music. Radio was the source for anything new. Much more on that later.
Finally, these posts are here in the hopes that some of my less-informed students, and their parents, will get a clue and take an interest. If you don’t like any of the music here or on my Youtube and Spotify playlists, then I have to ask, “Why are you here?”
It’s amazing how many great guitar-lesson videos are on the net. There was nothing like it when I was learning to play back in the 1970’s and 80’s. The problem is many people can’t take advantage of them because they don’t have basic skills and a basic understanding of music and the guitar.
Our Skype and subscription lessons give you the skills you need to take advantage of all of the great lesson videos on Youtube, etc.
The learning approach here at HoustonGuitar is different from other video lesson sites.
There’s a difference between learning about things on the guitar, and actually playing things on the guitar. Our read by ear, play by ear approach prepares you to walk into any musical situation.
To me, as an instructor, the bottom line is whether you can play along with a song, whether live or recorded. It’s not a matter of whether you’re playing the ‘right’ or ‘wrong’ part. The goal is learning to interact intelligently with what you hear. More simply, the goal is to sound good. Do you?
Over the years I’ve learned what works and what doesn’t. Simple, repetitive play-alongs are the surest, most effective way to master guitar techniques. Play-alongs help you develop the physical and mental conditioning you need to stay with a part for the full length of a song. Three or four minutes is a long time if you’re not conditioned.
Each of our play-along tracks focuses on one particular skill. Some practice tracks help you combine techniques you’ve learned from other tracks. Others help you progress through the tempos so you’re able to play faster.
I know from experience that play-alongs really work. Playing over drum tracks is okay, but students consistently follow the part better when they play along to a ‘complete’ audio track, for a perscribed amount of time. I’ve seen this hundreds of times. Now that I’ve got all these play-alongs tracks, my life as a guitar-teacher is, at times, embarrassingly easy. I’ve got exercises for just about any problem a viable beginning student has.
The HoustonGuitar.Com lesson series covers all of the techniques you will need to play real guitar parts from real songs. For rhythm-guitar, these techniques include open chords, open power chords, movable power-chords, power ‘plus-one’ chords, and strumming and picking patterns over chords. For lead-guitar, you’ll learn single-note picking, open scales, and scales in position. You’ll also learn articulations like hammers, pulls, slides, string-bending, and barre-chords.
The cost of a subscription is $19.95 per month (compare to prices at a music store). Pay by the month. There’s no minimum subscription period. You can cancel your subscription at anytime. All payments are processed through Paypal ®.
For copyright reasons, there are limitations on how we can cover real songs in the lessons here at HoustonGuitar. Here, we deal with techniques, chord progressions and riffs that are common to thousands of real songs. Lessons relating to specific songs are on Youtube, because they have a blanket license agreement with the music publishers. (It’s complicated.)
I invite you to try a better way of learning the guitar.
Thanks for visiting. I hope you find my other posts interesting and insightful. — Greg V