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On the guitar, the left hand is used to either sustain or mute the strings. The
right hand is used to either attack the strings (cause them to vibrate), or to
mute the strings. Sustain Techniques for the Left Hand hammer (on) - to sound a note by tapping the string firmly with a finger of the left hand -- implies going to a higher note pull (off)- to sound a note by plucking the string as you pull your finger away from the string -- implies going to a lower note string bend (up) - raise from a lower note to a higher note -- variables involve the 'shape' of the note as it rises in pitch string release (down) - release from a higher note to a lower note -- variables involve the shape of the note as it lowers in pitch -- for some reason, notes tend to sound flat after a release -- try lowering to a pitch slightly sharp to the 'target' pitch vibrato - rhythmic oscillation in pitch -- variables are rate (slow or fast) and width (narrow or wide) slide up - (glissando) from lower note to higher note --variables involve the 'shape' of the note as it rises in pitch -- similar to the sound of a bend, but a 'slide' can cover a larger distance than a bend slide down - (glissando) from higher note to lower note -- variables involve the 'shape' of the note as it lowers in pitch Muting Techniques for the Left Hand 1 -- lifting your finger(s) off the frets 2 -- touching string(s) lightly - not pressing hard enough to make the string touch the frets Attack Techniques for Right Hand pick stroke down use a flat pick (or thumb) to pick downward from the top of the string pick stroke up - use a flat pick (or finger) to pick upward from the bottom of the string alternate pick - alternate up and down pick strokes rest stroke the pick (or finger) rests on the string before the attack this means that the pick doesn't change direction for the attack free stroke the pick (or finger) does not rest on the string before the attack opposite of a rest stroke the pick may change direction for the attack sweep picking - an advanced technique for playing fast, single-line parts that produces a smoother sound than alternate picking -- a technique that uses rest strokes wherever possible to cut the number of times the pick changes direction tapping notes using fingers of the right hand (or the pick) to play hammers and pulls; either in front of the left hand, or behind the left usually alternating with hammers and pulls in the left hand Muting Techniques for Right Hand These first three techniques are mostly for single lines 1 -- with the thumb - moving to a higher string 2 -- with the 'free' fingers - moving to lower string 3 -- with the pick - playing a note on the same string 4 -- with the side of the hand this last technique is used for muting both single lines and chords |
 © 2010 Greg Varhaug |