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List Of Guitar Techniques
On the guitar, the left hand is used to either sustain or mute the strings. The
right hand is used to either attack the strings (cause them to vibrate), or to
mute the strings.
Sustain Techniques for the Left Hand
hammer (on) - to sound a note by tapping the string firmly with a finger of the left hand -- implies going to a higher note
pull (off) - to sound a note by plucking the string as you pull your finger
away from the string -- implies going to a lower note
string bend (up) - raise from a lower note to a higher note -- variables
involve the 'shape' of the note as it rises in pitch
string release (down) - release from a higher note to a lower note -- variables involve the shape of the note as it lowers in pitch -- for some reason, notes tend to sound flat after a release -- try lowering to a pitch slightly sharp to the 'target' pitch
vibrato - rhythmic oscillation in pitch -- variables are rate (slow or fast) and width (narrow or wide)
slide up - (glissando) from lower note to higher note --variables involve the 'shape' of the note as it rises in pitch -- similar to the sound
of a bend, but a 'slide' can cover a larger distance than a bend
slide down - (glissando) from higher note to lower note -- variables involve the 'shape' of the note as it lowers in pitch
Muting Techniques for the Left Hand
1 -- lifting your finger(s) off the frets
2 -- touching string(s) lightly; not pressing hard enough to make the
string touch the frets
Attack Techniques for Right Hand
pick stroke down use a flat pick (or thumb) to pick downward from the top of the string
pick stroke up - use a flat pick (or finger) to pick upward from
the bottom of the string
alternate pick - alternate up and down pick strokes
rest stroke the pick (or finger) rests on the string before
the attack this means that the pick doesn't change direction for the attack
free stroke the pick (or finger) does not rest on the string
before the attack opposite of a rest stroke the pick may change direction
for the attack
sweep picking - an advanced technique for playing fast, single-line parts that produces a smoother sound than alternate picking -- a technique that uses rest strokes wherever possible to cut the number of times the pick changes direction
tapping notes using fingers of the right hand (or the pick)
to play hammers and pulls; either in front of the left hand, or behind the left
usually alternating with hammers and pulls in the left hand
Muting Techniques for Right Hand
The first three techniques are mostly for single lines
1 -- with the thumb - moving to a higher string
2 -- with the 'free' fingers - moving to lower string
3 -- with the pick - playing a note on the same string
4 -- with the side of the hand this last technique is used in for
muting both single lines and chords
© 2001 Greg Varhaug
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